Giza Necropolis

The Giza Necropolis stands on the Giza Plateau, on the outskirts of Cairo, Egypt. This complex of ancient monuments includes the three pyramids known as the Great Pyramids, along with the massive sculpture known as the Great Sphinx. It is located some 8 km (5 mi) inland into the desert from the old town of Giza on the Nile, some 25 km (15 mi) southwest of Cairo city centre. One of the monuments, the Great Pyramid of Giza, is the only remaining monument of the Seven Wonders of the Ancient World

1- Description
The Great Pyramids consist of the Great Pyramid of Giza (known as the Great Pyramid and the Pyramid of Cheops or Khufu), the somewhat smaller Pyramid of Khafre (or Chephren) a few hundred meters to the south-west, and the relatively modest-sized Pyramid of Menkaure (or Mykerinos) a few hundred meters further south-west. The Great Sphinx lies on the east side of the complex, facing east. Current consensus among Egyptologists is that the head of the Great Sphinx is that of Khafre. Along with these major monuments are a number of smaller satellite edifices, known as "queens" pyramids, causeways and valley pyramids. Also associated with these royal monuments are what appear to be the tombs of high officials and much later burials and monuments (from the New Kingdom onwards).
Of the four major monuments, only Menkaure's Pyramid is seen today without any of its original polished limestone casing. Khafre's Pyramid retains a prominent display of casing stones at its apex, while Khufu's Pyramid maintains a more limited collection at its base. Khafre's Pyramid appears larger than the adjacent Khufu Pyramid by virtue of its more elevated location, and the steeper angle of inclination of its construction – it is, in fact, smaller in both height and volume. The most active phase of construction here was in the 23rd century BC. It was popularised in Hellenistic times when the Great Pyramid was listed by Antipater of Sidon as one of the Seven Wonders of the World. Today it is the only one of the ancient Wonders still in existence.
At the time of their construction and for many years after, the Pyramids of Giza were the tallest structures on the planet. Khufu's pyramid originally rose 479 feet but has been reduced to 449 feet with the loss of its limestone casing. Khafre's Pyramid had stood 471 feet at its completion while Menkaure's Pyramid stands at a modest 218 feet. "In 1300 AD the Great Pyramid was surpassed as the tallest structure in the world by England's Lincoln Cathedral."[1] but to this day remains the most massive structure on Earth.
Due largely to 19th-century images, the Pyramids of Giza are generally thought of by foreigners as lying in a remote, desert location, even though they are located in what is now part of the most populous city in Africa . In fact, urban development reaches right up to the perimeter of the antiquities site. The ancient sites in the Memphis area, including those at Giza, together with those at Saqqara, Dahshur, Abu Ruwaysh, and Abusir, were collectively declared a World Heritage Site in 1979.
The Giza pyramids have been recorded in the Giza Plateau Mapping Project run by Ancient Egypt Research Associates, directed by Dr. Mark Lehner. In addition, Lehner's team undertook radiocarbon dating on material recovered from the exterior of the Great Pyramid.AERA's 2009 field season was recorded in a blog.

2-Construction
Main article: Egyptian pyramid construction techniques
Researchers have long been impressed with the precision with which the pyramids of this complex were created. The base of the Great Pyramid forms a nearly perfect square, with only a 19-cm (about 7.50-in) difference between its longest and shortest sides[citation needed], out of a total length of about 230 m (756 ft). This huge square is also almost exactly level. When newly completed, the Great Pyramid rose 146.7 m (481.4 ft)—nearly 50 stories high. The pyramid’s core probably includes a hill of unexcavated rubble[citation needed], making it impossible to determine its exact number of blocks. Researchers estimate that 2.3 million blocks were used to build the Great Pyramid, with an average weight of about 2.5 metric tons per block.The largest block weighs as much as 15 metric tons.
It is not known how they were made but there have been varying theories regarding the construction techniques. Most construction theories are based on the idea that the pyramids were built by moving huge stones from a quarry and dragging and lifting them into place. The disagreements center on the method by which the stones were conveyed and placed and how possible the method was. A recent though unpopular theory proposes that the building blocks were manufactured in-place from a kind of "limestone concrete".[5]
The work of quarrying, moving, setting, and sculpting the huge amount of stone used to build the pyramids might have been accomplished by several thousand skilled workers, unskilled laborers and supporting workers. Bakers, carpenters, water carriers, and others were also needed for the project. Along with the methods utilized to construct the pyramids, there is also wide speculation regarding the exact number of workers needed for a building project of this magnitude. When Greek historian Herodotus visited Giza in 450 BC he was told by Egyptian priests that "the Great Pyramid had taken 400,000 men 20 years to build, working in three-month shifts 100,000 men at a time."
In 1990, tombs belonging to the pyramid workers were discovered alongside the pyramids with an additional burial site found nearby in 2009. Although not mummified they had been buried in mud-brick tombs with beer and bread to support them in the afterlife. The tombs proximity to the pyramids and manner of burial supports that they were paid labourers who took great pride in their work and were not slaves, as was previously thought. The myth of slaves building the pyramids was popularised by Hollywood films based on the belief they could not have been built without forced labour. Evidence from the tombs indicates that a workforce of 10,000 labourers working in three month shifts took around 30 years to build a pyramid. Most of the workers appear to have been from poor families. Farms supplied the labourers with 21 cattle and 23 sheep daily. Specialists such as architects, masons, metalworkers and carpenters, were permanently employed by the king to fill positions that required the most skill.[6][7][8]
In building the pyramids, the architects might have developed their techniques over time. They would select a site on a relatively flat area of bedrock—not sand—which provided a stable foundation. After carefully surveying the site and laying down the first level of stones, they constructed the pyramids in horizontal levels, one on top of the other.
For the Great Pyramid, most of the stone for the interior seems to have been quarried immediately to the south of the construction site. The smooth exterior of the pyramid was made of a fine grade of white limestone that was quarried across the Nile. These exterior blocks had to be carefully cut, transported by river barge to Giza, and dragged up ramps to the construction site. Only a few exterior blocks remain in place at the bottom of the Great Pyramid. During the Middle Ages (5th century to 15th century) people may have taken the rest away for building projects in the city of Cairo.[citation needed]
To ensure that the pyramid remained symmetrical, the exterior casing stones all had to be equal in height and width. Workers might have marked all the blocks to indicate the angle of the pyramid wall and trimmed the surfaces carefully so that the blocks fit together. During construction the outer surface of the stone was left unfinished; excess stone was removed later.[citation needed]
3- Purpose
The Pyramids of Giza and other were constructed to house the remains of the deceased Pharaohs who ruled over ancient Egypt. A portion of the Pharaoh's spirit called his ka was believed to remain with his corpse. Proper care of the remains was necessary in order for the "former Pharaoh to perform his new duties as king of the dead." The pyramid not only served as a tomb for the Pharaoh but also as storage for the various items he would need in the afterlife. "The people of Ancient Egypt believed that death on Earth was the start of a journey to the next world. The embalmed body of the King was entombed underneath or within the pyramid to protect it and allow his transformation and ascension to the afterlife."
4- Astronomy

Giza pyramid complex (map)
The sides of all three of the Giza pyramids were astronomically oriented to be north-south and east-west within a small fraction of a degree. Among recent attempts to explain such a clearly deliberate pattern are those of S. Haack, O. Neugebauer, K. Spence, D. Rawlins, K. Pickering, and J. Belmonte. The arrangement of the pyramids is a disputed representation of the Orion constellation in the Orion Correlation Theory.

Colosseum

The Colosseum or Roman Coliseum, originally the Flavian Amphitheatre (Latin: Amphitheatrum Flavium, Italian Anfiteatro Flavio or Colosseo), is an elliptical amphitheatre in the center of the city of Rome, Italy, the largest ever built in the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering.
Occupying a site just east of the Roman Forum, its construction started between 70 and 72 AD[1] under the emperor Vespasian and was completed in 80 AD under Titus,[2] with further modifications being made during Domitian's reign (81–96).The name "Amphitheatrum Flavium" derives from both Vespasian's and Titus's family name (Flavius, from the gens Flavia).
Capable of seating 50,000 spectators the Colosseum was used for gladiatorial contests and public spectacles. As well as the gladiatorial games, other public spectacles were held there, such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It was later reused for such purposes as housing, workshops, quarters for a religious order, a fortress, a quarry, and a Christian shrine.
It has been estimated[who?] that about 500,000 people and over a million wild animals died in the Colosseum games
Although in the 21st century it stays partially ruined because of damage caused by devastating earthquakes and stone-robbers, the Colosseum is an iconic symbol of Imperial Rome and its breakthrough achievements in earthquake engineering. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession that starts in the area around the Colosseum.
The Colosseum is also depicted on the Italian version of the five-cent euro coin.

1-Name
The Colosseum's original Latin name was Amphitheatrum Flavium, often anglicized as Flavian Amphitheater. The building was constructed by emperors of the Flavian dynasty, hence its original name, after the reign of Emperor Nero. This name is still used in modern English, but generally the structure is better known as the Colosseum. In antiquity, Romans may have referred to the Colosseum by the unofficial name Amphitheatrum Caesareum; this name could have been strictly poetic. This name was not exclusive to the Colosseum; Vespasian and Titus, builders of the Colosseum, also constructed an amphitheater of the same name in Puteoli (modern Pozzuoli).
The name Colosseum has long been believed to be derived from a colossal statue of Nero nearby.This statue was later remodeled by Nero's successors into the likeness of Helios (Sol) or Apollo, the sun god, by adding the appropriate solar crown. Nero's head was also replaced several times with the heads of succeeding emperors. Despite its pagan links, the statue remained standing well into the medieval era and was credited with magical powers. It came to be seen as an iconic symbol of the permanence of Rome.
In the 8th century, the Venerable Bede (c. 672–735) wrote a famous epigram celebrating the symbolic significance of the statue, Quandiu stabit coliseus, stabit et Roma; quando cadit coliseus, cadet et Roma; quando cadet Roma, cadet et mundus ("as long as the Colossus stands, so shall Rome; when the Colossus falls, Rome shall fall; when Rome falls, so falls the world").[13] This is often mistranslated to refer to the Colosseum rather than the Colossus (as in, for instance, Byron's poem Childe Harold's Pilgrimage). However, at the time that Bede wrote, the masculine noun coliseus was applied to the statue rather than to what was still known as the Flavian amphitheatre.
The Colossus did eventually fall, possibly being pulled down to reuse its bronze. By the year 1000 the name "Colosseum" had been coined to refer to the amphitheatre. The statue itself was largely forgotten and only its base survives, situated between the Colosseum and the nearby Temple of Venus and Roma.
The name was further corrupted to Coliseum during the Middle Ages. In Italy, the amphitheatre is still known as il Colosseo, and other Romance languages have come to use similar forms such as le Colisée (French), el Coliseo (Spanish) and o Coliseu (Portuguese)

3-History

Ancient

Construction of the Colosseum began under the rule of the Emperor Vespasian in around 70–72AD. The site chosen was a flat area on the floor of a low valley between the Caelian, Esquiline and Palatine Hills, through which a canalised stream ran. By the 2nd century BC the area was densely inhabited. It was devastated by the Great Fire of Rome in AD 64, following which Nero seized much of the area to add to his personal domain. He built the grandiose Domus Aurea on the site, in front of which he created an artificial lake surrounded by pavilions, gardens and porticoes. The existing Aqua Claudia aqueduct was extended to supply water to the area and the gigantic bronze Colossus of Nero was set up nearby at the entrance to the Domus Aurea.
Although the Colossus was preserved, much of the Domus Aurea was torn down. The lake was filled in and the land reused as the location for the new Flavian Amphitheatre. Gladiatorial schools and other support buildings were constructed nearby within the former grounds of the Domus Aurea. According to a reconstructed inscription found on the site, "the emperor Vespasian ordered this new amphitheatre to be erected from his general's share of the booty." This is thought to refer to the vast quantity of treasure seized by the Romans following their victory in the Great Jewish Revolt in 70AD. The Colosseum can be thus interpreted as a great triumphal monument built in the Roman tradition of celebrating great victories. Vespasian's decision to build the Colosseum on the site of Nero's lake can also be seen as a populist gesture of returning to the people an area of the city which Nero had appropriated for his own use. In contrast to many other amphitheatres, which were located on the outskirts of a city, the Colosseum was constructed in the city centre; in effect, placing it both literally and symbolically at the heart of Rome.
The Colosseum had been completed up to the third story by the time of Vespasian's death in 79. The top level was finished and the building inaugurated by his son, Titus, in 80. Dio Cassius recounts that over 9,000 wild animals were killed during the inaugural games of the amphitheatre. The building was remodelled further under Vespasian's younger son, the newly designated Emperor Domitian, who constructed the hypogeum, a series of underground tunnels used to house animals and slaves. He also added a gallery to the top of the Colosseum to increase its seating capacity.
In 217, the Colosseum was badly damaged by a major fire (caused by lightning, according to Dio Cassius[15]) which destroyed the wooden upper levels of the amphitheatre's interior. It was not fully repaired until about 240 and underwent further repairs in 250 or 252 and again in 320. An inscription records the restoration of various parts of the Colosseum under Theodosius II and Valentinian III (reigned 425–455), possibly to repair damage caused by a major earthquake in 443; more work followed in 484 and 508. The arena continued to be used for contests well into the 6th century, with gladiatorial fights last mentioned around 435. Animal hunts continued until at least 523, when Anicius Maximus celebrated his consulship with some venationes, criticised by King Theodoric the Great for their high cost.

Medieval

The Colosseum underwent several radical changes of use during the medieval period. By the late 6th century a small church had been built into the structure of the amphitheatre, though this apparently did not confer any particular religious significance on the building as a whole. The arena was converted into a cemetery. The numerous vaulted spaces in the arcades under the seating were converted into housing and workshops, and are recorded as still being rented out as late as the 12th century. Around 1200 the Frangipani family took over the Colosseum and fortified it, apparently using it as a castle.
Severe damage was inflicted on the Colosseum by the great earthquake in 1349, causing the outer south side, lying on a less stable alluvional terrain, to collapse. Much of the tumbled stone was reused to build palaces, churches, hospitals and other buildings elsewhere in Rome. A religious order moved into the northern third of the Colosseum in the mid-14th century and continued to inhabit it until as late as the early 19th century. The interior of the amphitheatre was extensively stripped of stone, which was reused elsewhere, or (in the case of the marble façade) was burned to make quicklime The bronze clamps which held the stonework together were pried or hacked out of the walls, leaving numerous pockmarks which still scar the building today

Modern

During the 16th and 17th century, Church officials sought a productive role for the vast derelict hulk of the Colosseum. Pope Sixtus V (1585–1590) planned to turn the building into a wool factory to provide employment for Rome's prostitutes, though this proposal fell through with his premature death.[17] In 1671 Cardinal Altieri authorized its use for bullfights; a public outcry caused the idea to be hastily abandoned.

In 1749, Pope Benedict XIV endorsed as official Church policy the view that the Colosseum was a sacred site where early Christians had been martyred. He forbade the use of the Colosseum as a quarry and consecrated the building to the Passion of Christ and installed Stations of the Cross, declaring it sanctified by the blood of the Christian martyrs who perished there (see Christians and the Colosseum). However there is no historical evidence to support Benedict's claim, nor is there even any evidence that anyone prior to the 16th century suggested this might be the case; the Catholic Encyclopedia concludes that there are no historical grounds for the supposition. Later popes initiated various stabilization and restoration projects, removing the extensive vegetation which had overgrown the structure and threatened to damage it further. The façade was reinforced with triangular brick wedges in 1807 and 1827, and the interior was repaired in 1831, 1846 and in the 1930s. The arena substructure was partly excavated in 1810–1814 and 1874 and was fully exposed under Benito Mussolini in the 1930s.

The Colosseum is today one of Rome's most popular tourist attractions, receiving millions of visitors annually. The effects of pollution and general deterioration over time prompted a major restoration programme carried out between 1993 and 2000, at a cost of 40 billion Italian lire ($19.3m / €20.6m at 2000 prices). In recent years it has become a symbol of the international campaign against capital punishment, which was abolished in Italy in 1948. Several anti–death penalty demonstrations took place in front of the Colosseum in 2000. Since that time, as a gesture against the death penalty, the local authorities of Rome change the color of the Colosseum's night time illumination from white to gold whenever a person condemned to the death penalty anywhere in the world gets their sentence commuted or is released, or if a jurisdiction abolishes the death penalty. Most recently, the Colosseum was illuminated in gold when capital punishment was abolished in the American state of New Mexico in April 2009.

Because of the ruined state of the interior, it is impractical to use the Colosseum to host large events; only a few hundred spectators can be accommodated in temporary seating. However, much larger concerts have been held just outside, using the Colosseum as a backdrop. Performers who have played at the Colosseum in recent years have included Ray Charles (May 2002). Paul McCartney (May 2003), and Elton John (September 2005).
On July 7, 2007, the Colosseum was voted as one of New Open World Corporation's New Seven Wonders of the World.

4-Physical description

Exterior

Unlike earlier Greek theatres that were built into hillsides, the Colosseum is an entirely free-standing structure. It derives its basic exterior and interior architecture from that of two Roman theatres back to back. It is elliptical in plan and is 189 meters (615 ft / 640 Roman feet) long, and 156 meters (510 ft / 528 Roman feet) wide, with a base area of 6 acres (24,000 m2). The height of the outer wall is 48 meters (157 ft / 165 Roman feet). The perimeter originally measured 545 meters (1,788 ft / 1,835 Roman feet). The central arena is an oval (287 ft) long and (180 ft) wide, surrounded by a wall (15 ft) high, above which rose tiers of seating.
The outer wall is estimated to have required over 100,000 cubic meters (131,000 cu yd) of travertine stone which were set without mortar held together by 300 tons of iron clamps.[14] However, it has suffered extensive damage over the centuries, with large segments having collapsed following earthquakes. The north side of the perimeter wall is still standing; the distinctive triangular brick wedges at each end are modern additions, having been constructed in the early 19th century to shore up the wall. The remainder of the present-day exterior of the Colosseum is in fact the original interior wall.
The surviving part of the outer wall's monumental façade comprises three stories of superimposed arcades surmounted by a podium on which stands a tall attic, both of which are pierced by windows interspersed at regular intervals. The arcades are framed by half-columns of the Doric, Ionic, and Corinthian orders, while the attic is decorated with Corinthian pilasters.[23] Each of the arches in the second- and third-floor arcades framed statues, probably honoring divinities and other figures from Classical mythology.
Two hundred and forty mast corbels were positioned around the top of the attic. They originally supported a retractable awning, known as the velarium, that kept the sun and rain off spectators. This consisted of a canvas-covered, net-like structure made of ropes, with a hole in the center.[3] It covered two-thirds of the arena, and sloped down towards the center to catch the wind and provide a breeze for the audience. Sailors, specially enlisted from the Roman naval headquarters at Misenum and housed in the nearby Castra Misenatium, were used to work the velarium.[24]
The Colosseum's huge crowd capacity made it essential that the venue could be filled or evacuated quickly. Its architects adopted solutions very similar to those used in modern stadiums to deal with the same problem. The amphitheatre was ringed by eighty entrances at ground level, 76 of which were used by ordinary spectators.[3] Each entrance and exit was numbered, as was each staircase. The northern main entrance was reserved for the Roman Emperor and his aides, whilst the other three axial entrances were most likely used by the elite. All four axial entrances were richly decorated with painted stucco reliefs, of which fragments survive. Many of the original outer entrances have disappeared with the collapse of the perimeter wall, but entrances XXIII (23) to LIV (54) still survive.[14]
Spectators were given tickets in the form of numbered pottery shards, which directed them to the appropriate section and row. They accessed their seats via vomitoria (singular vomitorium), passageways that opened into a tier of seats from below or behind. These quickly dispersed people into their seats and, upon conclusion of the event or in an emergency evacuation, could permit their exit within only a few minutes. The name vomitoria derived from the Latin word for a rapid discharge, from which English derives the word vomit.

According to the Codex-Calendar of 354, the Colosseum could accommodate 87,000 people, although modern estimates put the figure at around 50,000. They were seated in a tiered arrangement that reflected the rigidly stratified nature of Roman society. Special boxes were provided at the north and south ends respectively for the Emperor and the Vestal Virgins, providing the best views of the arena. Flanking them at the same level was a broad platform or podium for the senatorial class, who were allowed to bring their own chairs. The names of some 5th century senators can still be seen carved into the stonework, presumably reserving areas for their use.
The tier above the senators, known as the maenianum primum, was occupied by the non-senatorial noble class or knights (equites). The next level up, the maenianum secundum, was originally reserved for ordinary Roman citizens (plebians) and was divided into two sections. The lower part (the immum) was for wealthy citizens, while the upper part (the summum) was for poor citizens. Specific sectors were provided for other social groups: for instance, boys with their tutors, soldiers on leave, foreign dignitaries, scribes, heralds, priests and so on. Stone (and later marble) seating was provided for the citizens and nobles, who presumably would have brought their own cushions with them. Inscriptions identified the areas reserved for specific groups.
Another level, the maenianum secundum in legneis, was added at the very top of the building during the reign of Domitian. This comprised a gallery for the common poor, slaves and women. It would have been either standing room only, or would have had very steep wooden benches. Some groups were banned altogether from the Colosseum, notably gravediggers, actors and former gladiators.[14]
Each tier was divided into sections (maeniana) by curved passages and low walls (praecinctiones or baltei), and were subdivided into cunei, or wedges, by the steps and aisles from the vomitoria. Each row (gradus) of seats was numbered, permitting each individual seat to be exactly designated by its gradus, cuneus, and number.[

Arena and hypogeum

The arena itself was 83 meters by 48 meters (272 ft by 157 ft / 280 by 163 Roman feet).[14] It comprised a wooden floor covered by sand (the Latin word for sand is harena or arena), covering an elaborate underground structure called the hypogeum (literally meaning "underground"). Little now remains of the original arena floor, but the hypogeum is still clearly visible. It consisted of a two-level subterranean network of tunnels and cages beneath the arena where gladiators and animals were held before contests began. Eighty vertical shafts provided instant access to the arena for caged animals and scenery pieces concealed underneath; larger hinged platforms, called hegmata, provided access for elephants and the like. It was restructured on numerous occasions; at least twelve different phases of construction can be seen.[14]
The hypogeum was connected by underground tunnels to a number of points outside the Colosseum. Animals and performers were brought through the tunnel from nearby stables, with the gladiators' barracks at the Ludus Magnus to the east also being connected by tunnels. Separate tunnels were provided for the Emperor and the Vestal Virgins to permit them to enter and exit the Colosseum without needing to pass through the crowds.[14]
Substantial quantities of machinery also existed in the hypogeum. Elevators and pulleys raised and lowered scenery and props, as well as lifting caged animals to the surface for release. There is evidence for the existence of major hydraulic mechanisms[14] and according to ancient accounts, it was possible to flood the arena rapidly, presumably via a connection to a nearby aqueduct

Supporting buildings

The Colosseum and its activities supported a substantial industry in the area. In addition to the amphitheatre itself, many other buildings nearby were linked to the games. Immediately to the east is the remains of the Ludus Magnus, a training school for gladiators. This was connected to the Colosseum by an underground passage, to allow easy access for the gladiators. The Ludus Magnus had its own miniature training arena, which was itself a popular attraction for Roman spectators. Other training schools were in the same area, including the Ludus Matutinus (Morning School), where fighters of animals were trained, plus the Dacian and Gallic Schools.
Also nearby were the Armamentarium, comprising an armory to store weapons; the Summum Choragium, where machinery was stored; the Sanitarium, which had facilities to treat wounded gladiators; and the Spoliarium, where bodies of dead gladiators were stripped of their armor and disposed of.
Around the perimeter of the Colosseum, at a distance of 18 m (59 ft) from the perimeter, was a series of tall stone posts, with five remaining on the eastern side. Various explanations have been advanced for their presence; they may have been a religious boundary, or an outer boundary for ticket checks, or an anchor for the velarium or awning.[14]
Right next to the Colosseum is also the Arch of Constantine.
Use

The Colosseum was used to host gladiatorial shows as well as a variety of other events. The shows, called munera, were always given by private individuals rather than the state. They had a strong religious element but were also demonstrations of power and family prestige, and were immensely popular with the population. Another popular type of show was the animal hunt, or venatio. This utilized a great variety of wild beasts, mainly imported from Africa and the Middle East, and included creatures such as rhinoceros, hippopotamuses, elephants, giraffes, aurochs, wisents, barbary lions, panthers, leopards, bears, caspian tigers, crocodiles and ostriches. Battles and hunts were often staged amid elaborate sets with movable trees and buildings. Such events were occasionally on a huge scale; Trajan is said to have celebrated his victories in Dacia in 107 with contests involving 11,000 animals and 10,000 gladiators over the course of 123 days.
During the early days of the Colosseum, ancient writers recorded that the building was used for naumachiae (more properly known as navalia proelia) or simulated sea battles. Accounts of the inaugural games held by Titus in AD 80 describe it being filled with water for a display of specially trained swimming horses and bulls. There is also an account of a re-enactment of a famous sea battle between the Corcyrean (Corfiot) Greeks and the Corinthians. This has been the subject of some debate among historians; although providing the water would not have been a problem, it is unclear how the arena could have been waterproofed, nor would there have been enough space in the arena for the warships to move around. It has been suggested that the reports either have the location wrong, or that the Colosseum originally featured a wide floodable channel down its central axis (which would later have been replaced by the hypogeum).[14]
Sylvae or recreations of natural scenes were also held in the arena. Painters, technicians and architects would construct a simulation of a forest with real trees and bushes planted in the arena's floor. Animals would be introduced to populate the scene for the delight of the crowd. Such scenes might be used simply to display a natural environment for the urban population, or could otherwise be used as the backdrop for hunts or dramas depicting episodes from mythology. They were also occasionally used for executions in which the hero of the story — played by a condemned person — was killed in one of various gruesome but mythologically authentic ways, such as being mauled by beasts or burned to death.
Today
The Colosseum today is now a major tourist attraction in Rome with thousands of tourists each year paying to view the interior arena, though entrance for EU citizens is partially subsidised, and under-18 and over-65 EU citizens' entrances are free.[26] There is now a museum dedicated to Eros located in the upper floor of the outer wall of the building. Part of the arena floor has been re-floored.
The Colosseum is also the site of Roman Catholic ceremonies in the 20th and 21st centuries. For instance, Pope Benedict XVI leads the Stations of the Cross called the Scriptural Way of the Cross (which calls for more meditation) at the Colosseum[27][28] on Good Fridays.[8

Christians and the Colosseum

In the Middle Ages, the Colosseum was clearly not regarded as a sacred site. Its use as a fortress and then a quarry demonstrates how little spiritual importance was attached to it, at a time when sites associated with martyrs were highly venerated. It was not included in the itineraries compiled for the use of pilgrims nor in works such as the 12th century Mirabilia Urbis Romae ("Marvels of the City of Rome"), which claims the Circus Flaminius — but not the Colosseum — as the site of martyrdoms. Part of the structure was inhabited by a Christian order, but apparently not for any particular religious reason.
It appears to have been only in the 16th and 17th centuries that the Colosseum came to be regarded as a Christian site. Pope Pius V (1566–1572) is said to have recommended that pilgrims gather sand from the arena of the Colosseum to serve as a relic, on the grounds that it was impregnated with the blood of martyrs. This seems to have been a minority view until it was popularised nearly a century later by Fioravante Martinelli, who listed the Colosseum at the head of a list of places sacred to the martyrs in his 1653 book Roma ex ethnica sacra.
Martinelli's book evidently had an effect on public opinion; in response to Cardinal Altieri's proposal some years later to turn the Colosseum into a bullring, Carlo Tomassi published a pamphlet in protest against what he regarded as an act of desecration. The ensuing controversy persuaded Pope Clement X to close the Colosseum's external arcades and declare it a sanctuary, though quarrying continued for some time.
At the instance of St. Leonard of Port Maurice, Pope Benedict XIV (1740–1758) forbade the quarrying of the Colosseum and erected Stations of the Cross around the arena, which remained until February 1874. St. Benedict Joseph Labre spent the later years of his life within the walls of the Colosseum, living on alms, prior to his death in 1783. Several 19th century popes funded repair and restoration work on the Colosseum, and it still retains a Christian connection today. Crosses stand in several points around the arena and every Good Friday the Pope leads a Via Crucis procession to the amphitheatre.

The Colosseum has a wide and well-documented history of flora ever since Domenico Panaroli made the first catalogue of its plants in 1643. Since then, 684 species have been identified there. The peak was in 1855 (420 species). Attempts were made in 1871 to eradicate the vegetation, because of concerns over the damage that was being caused to the masonry, but much of it has returned.[14] 242 species have been counted today and of the species first identified by Panaroli, 200 remain.
The variation of plants can be explained by the change of climate in Rome through the centuries. Additionally, bird migration, flower blooming, and the growth of Rome that caused the Colosseum to become embedded within the modern city centre rather than on the outskirts of the ancient city, as well as deliberate transport of species, are also contributing causes. One other romantic reason often given is their seeds being unwittingly transported on the animals brought there from all corners of the empire.

Flora

The Colosseum has a wide and well-documented history of flora ever since Domenico Panaroli made the first catalogue of its plants in 1643. Since then, 684 species have been identified there. The peak was in 1855 (420 species). Attempts were made in 1871 to eradicate the vegetation, because of concerns over the damage that was being caused to the masonry, but much of it has returned.[14] 242 species have been counted today and of the species first identified by Panaroli, 200 remain.
The variation of plants can be explained by the change of climate in Rome through the centuries. Additionally, bird migration, flower blooming, and the growth of Rome that caused the Colosseum to become embedded within the modern city centre rather than on the outskirts of the ancient city, as well as deliberate transport of species, are also contributing causes. One other romantic reason often given is their seeds being unwittingly transported on the animals brought there from all corners of the empire.

Christ the Redeemer (statue)

Christ the Redeemer is a statue of Jesus Christ in Rio de Janeiro, Brazil; considered the largest art deco statue in the world.[1] The statue stands 39.6 metres (130 ft) tall, including its 9.5 metre (31 ft) pedestal, and 30 metres (98 ft) wide. It weighs 635 tons (700 short tons), and is located at the peak of the 700 metres (2,300 ft) Corcovado mountain in the Tijuca Forest National Park overlooking the city. It is one of the tallest of its kind in the world. The statue of Cristo de la Concordia in Cochabamba, Bolivia, is slightly taller, standing at 40.44 metres (132.7 ft) tall with its 6.24 metres (20.5 ft) pedestal and 34.20 metres (112.2 ft) wide. A symbol of Catholicism, the statue has become an icon of Rio and Brazil It is made of reinforced concrete and soapstone
The idea for erecting a large statue atop Corcovado was first suggested in the mid-1850s, when Catholic priest Pedro Maria Boss requested financing from Princess Isabel to build a large religious monument. Princess Isabel did not think much of the idea and it was completely dismissed in 1889, when Brazil became a republic, with laws mandating the separation of church and state.[5] The second proposal for a landmark statue on the mountain was made in 1921 by the Catholic Circle of Rio.[6] The group organised an event called Semana do Monumento ("Monument Week") to attract donations and collect signatures to support the building of the statue. The donations came mostly from Brazilian Catholics.The designs considered for the "Statue of the Christ" included a representation of the Christian cross, a statue of Jesus with a globe in his hands, and a pedestal symbolizing the world.The statue of Christ the Redeemer with open arms was chosen.
Local engineer Heitor da Silva Costa designed the statue; it was sculpted by French sculptor Paul Landowski A group of engineers and technicians studied Landowski's submissions and the decision was made to build the structure out of reinforced concrete (designed by Albert Caquot) instead of steel, more suitable for the cross-shaped statue. The outer layers are soapstone, chosen for its enduring qualities and ease of use. Construction took nine years, from 1922 to 1931. The monument was opened on October 12, 1931.The cost of the monument was $250,000. The statue was meant to be lit by a battery of floodlights triggered remotely by shortwave radio pioneer Guglielmo Marconi, stationed 5,700 miles (9,200 km) away in Rome, but poor weather affected the signal and it had to be lit by workers in Rio.
The statue was struck by lightning during a violent electrical storm on Sunday, February 10, 2008. The storm caused havoc in Rio, but the statue was left unscathed because soapstone, the material forming the outer layers of the statue, is an insulator.[9][10] In October 2006, on the statue's 75th anniversary, Archbishop of Rio Cardinal Eusebio Oscar Scheid consecrated a chapel (named for the patron saint of Brazil—Nossa Senhora Aparecida, or "Our Lady of the Apparition,") under the statue. This allows Catholics to hold baptisms and weddings there

Chichen Itza

Chichen Itza is a large pre-Columbian archaeological site built by the Maya civilization located in the northern center of the Yucatán Peninsula, in the Yucatán state, present-day Mexico.

Chichen Itza was a major focal point in the northern Maya lowlands from the Late Classic through the Terminal Classic and into the early portion of the Early Postclassic period. The site exhibits a multitude of architectural styles, from what is called “Mexicanized” and reminiscent of styles seen in central Mexico to the Puuc style found among the Puuc Maya of the northern lowlands. The presence of central Mexican styles was once thought to have been representative of direct migration or even conquest from central Mexico, but most contemporary interpretations view the presence of these non-Maya styles more as the result of cultural diffusion.

The ruins of Chichen Itza are federal property, and the site’s stewardship is maintained by Mexico’s Instituto Nacional de Antropología e Historia (National Institute of Anthropology and History, INAH). The land under the monuments, however, is privately-owned by the Barbachano family.
1-Name and orthography

The Maya name "Chich'en Itza" means "At the mouth of the well of the Itza." This derives from chi', meaning "mouth" or "edge", and ch'e'en, meaning "well." Itzá is the name of an ethnic-lineage group that gained political and economic dominance of the northern peninsula. The name is believed to derive from the Maya itz, meaning "magic," and (h)á, meaning "water." Itzá in Spanish is often translated as "Brujas del Agua (Witches of Water)" but a more precise translation would be Magicians of Water.[citation needed]
The name is often represented as Chichén Itzá in Spanish and when translated into other languages from Spanish to show that both parts of the name are stressed on their final syllables. Other references prefer to employ a more rigorous orthography in which the word is written according to Maya language, using Chich'en Itzá (pronounced [tʃitʃʼen itsáʔ]. This form preserves the phonemic distinction between ch' and ch, since the base word ch'e'en (which, however, does have a neutral tone vowel "e" in Maya and is not accented or stressed in Maya) begins with a glottalized affricate. The word "Itzá'" has a high rise final "a" that is followed by a glottal stop (indicated by the apostrophe).
There is evidence in the Chilam Balam books that there was another, earlier name for this city prior to the arrival of the Itza hegemony in northern Yucatán. This name is difficult to define because of the absence of a single standard of orthography, but it is represented variously as Uuc Yabnal,[4] Uuc Hab Nal,[5] or Uc Abnal. While most sources agree the first word means seven, there is considerable debate as to the correct translation of the rest. Among the translations suggested are “Seven Bushes,” “Seven Great Houses,” or “Seven Lines of Abnal.”

2-History

Northern Yucatán is arid, and the rivers in the interior all run underground. There are two large, natural sink holes, called cenotes, that could have provided plentiful water year round at Chichen, making it attractive for settlement. Of the two cenotes, the "Cenote Sagrado" or Sacred Cenote (also variously known as the Sacred Well or Well of Sacrifice), is the most famous. According to post-Conquest sources (Maya and Spanish), pre-Columbian Maya sacrificed objects and human beings into the cenote as a form of worship to the Maya rain god Chaac. Edward Herbert Thompson dredged the Cenote Sagrado from 1904 to 1910, and recovered artifacts of gold, jade, pottery, and incense, as well as human remains.[7] A recent study of human remains taken from the Cenote Sagrado found that they had wounds consistent with human sacrifice.

3-Ascendancy

Chichen Itza rose to regional prominence towards the end of the Early Classic period (roughly 600 AD). It was, however, towards the end of the Late Classic and into the early part of the Terminal Classic that the site became a major regional capital, centralizing and dominating political, sociocultural, economic, and ideological life in the northern Maya lowlands. The ascension of Chichen Itza roughly correlates with the decline and fragmentation of the major centers of the southern Maya lowlands, such as Tikal.
Some ethnohistoric sources claim that in about 987 a Toltec king named Topiltzin Ce Acatl Quetzalcoatl arrived here with an army from central Mexico, and (with local Maya allies) made Chichen Itza his capital, and a second Tula. The art and architecture from this period shows an interesting mix of Maya and Toltec styles. However, the recent re-dating of Chichen Itza's decline (see below) indicates that Chichen Itza is largely a Late/Terminal Classic site, while Tula remains an Early Postclassic site (thus reversing the direction of possible influence).

4-Political organization

Several archaeologists in late 1980s suggested that unlike previous Maya polities of the Early Classic, Chichen Itza may not have been governed by an individual ruler or a single dynastic lineage. Instead, the city’s political organization could have been structured by a "multepal" system, which is characterized as rulership through council composed of members of elite ruling lineages.[9] This theory was popular in the 1990s, but in recent years, the research that supported the concept of the "multepal" system has been called into question, if not discredited. The current belief trend in Maya scholarship is toward the more traditional model of the Maya kingdoms of the Classic southern lowlands.

5-Economy

Chichen Itza was a major economic power in the northern Maya lowlands during its apogee. Participating in the water-borne circum-peninsular trade route through its port site of Isla Cerritos, Chichen Itza was able to obtain locally unavailable resources from distant areas such as central Mexico (obsidian) and southern Central America (gold).

6-Decline

According to Maya chronicles (e.g., the Book of Chilam Balam of Chumayel), Hunac Ceel, ruler of Mayapan, conquered Chichen Itza in the 13th century. Hunac Ceel supposedly prophecized his own rise to power. According to custom at the time, individuals thrown into the Cenote Sagrado were believed to have the power of prophecy if they survived. During one such ceremony, the chronicles state, there were no survivors, so Hunac Ceel leaped into the Cenote Sagrado, and when removed, prophecized his own ascension.
While there is some archaeological evidence that indicates Chichén Itzá was at one time looted and sacked,[11] there appears to be greater evidence that it could not have been by Mayapan, at least not when Chichén Itzá was an active urban center. Archaeological data now indicates that Chichen Itza fell by around AD 1000, some two centuries before the rise of Mayapan.[12] Ongoing research at the site of Mayapan may help resolve this chronological conundrum.
While Chichén Itzá “collapsed” (meaning elite activities ceased and the site rapidly depopulated) it does not appear to have been completely abandoned. According to post-Conquest sources, both Spanish and Maya, the Cenote Sagrado remained a place of pilgrimage.

7-Site description

The site contains many fine stone buildings in various states of preservation, and many have been restored. The buildings are connected by a dense network of formerly paved roads, called sacbeob. Archaeologists have found almost 100 sacbeob criss-crossing the site, and extending in all directions from the city.
The buildings of Chichén Itza are grouped in a series of architectonic sets, and each set was at one time separated from the other by a series of low walls. The three best known of these complexes are the Great North Platform, which includes the monuments of El Castillo, Temple of Warriors and the Great Ball Court; The Ossario Group, which includes the pyramid of the same name as well as the Temple of Xtoloc; and the Central Group, which includes the Caracol, Las Monjas, and Akab Dzib.
South of Las Monjas, in an area known as Chichén Viejo (Old Chichén) and only open to archaeologists, are several other complexes, such as the Group of the Initial Series, Group of the Lintels, and Group of the Old Castle.
Great North Platform
El Castillo
Main article: El Castillo, Chichen Itza
Dominating the center of Chichén is the Temple of Kukulkan (the Maya name for Quetzalcoatl), often referred to as "El Castillo" (the castle). This step pyramid has a ground plan of square terraces with stairways up each of the four sides to the temple on top. On the Spring and Autumn equinox, at the rising and setting of the sun, the corner of the structure casts a shadow in the shape of a plumed serpent - Kukulcan, or Quetzalcoatl - along the west side of the north staircase. On these two annual occasions, the shadows from the corner tiers slither down the northern side of the pyramid with the sun's movement to the serpent's head at the base.
Mesoamerican cultures periodically built larger pyramids atop older ones, and this is one such example. In the mid 1930s, the Mexican government sponsored an excavation of El Castillo. After several false starts, they discovered a staircase under the north side of the pyramid. By digging from the top, they found another temple buried below the current one. Inside the temple chamber was a Chac Mool statue and a throne in the shape of Jaguar, painted red and with spots made of inlaid jade.
The Mexican government excavated a tunnel from the base of the north staircase, up the earlier pyramid’s stairway to the hidden temple, and opened it to tourists. In 2006, INAH closed the throne room to the public.
Great Ball Court
Archaeologists have identified several courts for playing the Mesoamerican ballgame in Chichén, but the Great Ball Court about 150 metres (490 ft) to the north-west of the Castillo is by far the most impressive. It is the largest ball court in ancient Mesoamerica. It measures 166 by 68 metres (540 ft × 220 ft). The imposing walls are 12 metres (39 ft) high, and in the center, high up on each of the long walls, are rings carved with intertwining serpents.
At the base of the high interior walls are slanted benches with sculpted panels of teams of ball players. In one panel, one of the players has been decapitated and from the wound emits seven streams of blood; six become wriggling serpents and the center becomes a winding plant.
At one end of the Great Ball Court is the North Temple, popularly called the Temple of the Bearded Man. This small masonry building has detailed bas relief carving on the inner walls, including a center figure that has carving under his chin that resembles facial hair.[20] At the south end is another, much bigger temple, but in ruins.
Built into the east wall are the Temples of the Jaguar. The Upper Temple of the Jaguar overlooks the ball court and has an entrance guarded by two, large columns carved in the familiar feathered serpent motif. Inside there is a large mural, much destroyed, which depicts a battle scene.
In the entrance to the Lower Temple of the Jaguar, which opens behind the ball court, is another Jaguar throne, similar to the one in the inner temple of El Castillo, except that it is well worn and missing paint or other decoration. The outer columns and the walls inside the temple are covered with elaborate bas-relief carvings.
Tzompantli
Of all the monuments, the Tzompantli is the closest to what one would find in the Mexican Plateau. This monument, a low, flat platform, is surrounded with carved depictions of human skulls.
Platform of the Eagles and the Jaguars
Next to El Castillo are a series of platforms. The Platform of the Eagles and the Jaguars is built in a combination Maya and Toltec styles. Each side has a staircase to the top. Carved into the sides are panels depicting Harpy Eagles and Jaguars consuming what appear to be human hearts.
Platform of Venus
This platform is dedicated to the planet Venus. In its interior archaeologists discovered a collection of large cones carved out of stone, the purpose of which is unknown. This platform is placed between El Castillo and the Cenote Sagrado.
Sacbe Number One
This sacbe, which leads to the Cenote Sagrado, is the largest and most elaborate at Chichen Itza. This “white road” is 270 metres (890 ft) long with an average width of 9 metres (30 ft). It begins at a low wall a few metres from the Platform of Venus. According to archaeologists there once was an extensive building with columns at the beginning of the road.
Cenote Sagrado
Main article: Sacred Cenote
The Yucatán Peninsula is a limestone plain, with no rivers or streams. The region is pockmarked with natural sinkholes, called cenotes, which expose the water table to the surface. One of the most impressive is the Cenote Sagrado, which is 60 metres (200 ft) in diameter, and sheer cliffs that drop to the water table some 27 metres (89 ft) below.
The Cenote Sagrado was a place of pilgrimage for ancient Maya people who, according to ethnohistoric sources, would conduct sacrifices during times of drought. Archaeological investigations support this as thousands of objects have been removed from the bottom of the cenote, including material such as gold, jade, obsidian, shell, wood, cloth, as well as skeletons of children and men.
Temple of the Tables
To the east of El Castillo are a series of buildings, the northernmost is the Temple of the Tables. Its name comes from a series of altars at the top of the structure that are supported by small carved figures of men with upraised arms, called “atlantes.”

Detail of Temple of the Warriors showing Chac Mool
Temple of the Warriors
The Temple of the Warriors complex consists of a large stepped pyramid fronted and flanked by rows of carved columns depicting warriors. This complex is analogous to Temple B at the Toltec capital of Tula, and indicates some form of cultural contact between the two regions. The one at Chichen Itza, however, was constructed on a larger scale. At the top of the stairway on the pyramid’s summit (and leading towards the entrance of the pyramid’s temple) is a Chac Mool. This temple encases or entombs a former structure called The Temple of the Chac Mool. The archeological expedition and restoration of this building was done by the Carnegie Institute of Washington from 1925-1928. A key member of this restoration was Earl H. Morris who published the work from this expedition in two volumes entitled Temple of the Warriors.
Group of a Thousand Columns
Along the south wall of the Temple of Warriors are a series of what are today exposed columns, although when the city was inhabited these would have supported an extensive roof system. The columns are in three distinct sections: an east group, that extends the lines of the front of the Temple of Warriors; a north group, which runs along the south wall of the Temple of Warriors and contains pillars with carvings of soldiers in bas-relief; and a northeast group, which was apparently formed a small temple at the southeast corner of the Temple of Warriors, which contains a rectangular decorated with carvings of people or gods, as well as animals and serpents. The northeast column temple also covers a small marvel of engineering, a channel that funnels all the rainwater from the complex some 40 metres (130 ft) away to a rejollada, a former cenote.
To the south of the Group of a Thousand Columns is a group of three, smaller, interconnected buildings. The Temple of the Carved Columns is a small elegant building that consists of a front gallery with an inner corridor that leads to an altar with a Chac Mool. There are also numerous columns with rich, bas-relief carvings of some 40 personages. The Temple of the Small Tables which has an exterior motif of x’s and o’s. And the Palace of Ahau Balam Kauil (also known as Thompson’s Temple), a small building with two levels that has friezes depicting Jaguars (balam in Maya) as well as glyphs of the Maya god Kahuil.
Steam Bath
This unique building has three parts: a waiting gallery, a water bath, and a steam chamber that operated by means of heated stones.
El Mercado
This square structure anchors the southern end of the Temple of Warriors complex. It is so named for the shelf of stone that surrounds a large gallery and patio that early explorers theorized was used to display wares as in a marketplace. Today, archaeologists believe that its purpose was more ceremonial than commerce.
Ossario Group
South of the North Group is a smaller platform that has many important structures, several of which appear to be oriented toward the second largest cenote at Chichen Itza, Xtoloc.
Ossario
Like El Castillo, this step-pyramid temple dominates the platform, only on a smaller scale. Like its larger neighbor, it has four sides with staircases on each side. There is a temple on top, but unlike El Castillo, at the center is an opening into the pyramid which leads to a natural cave 12 metres (39 ft) below. Edward H. Thompson excavated this cave in the late 1800s, and because he found several skeletons and artifacts such as jade beads, he named the structure The High Priests' Temple. Archaeologists today believe neither that the structure was a tomb nor that the personages buried in it were priests.
Temple of Xtoloc
Outside the Ossario Platform is this recently restored temple which overlooks the other large cenote at Chichen Itza, named after the Maya word for iguana, "Xtoloc." The temple contains a series of pilasters carved with images of people, as well as representations of plants, birds and mythological scenes.
Between the Xtoloc temple and the Ossario are several aligned structures: Platform of Venus (which is similar in design to the structure of the same name next to El Castillo), Platform of the Tombs, and a small, round structure that is unnamed. These three structures were constructed in a row extending from the Ossario. Beyond them the Ossario platform terminates in a wall, which contains an opening to a sacbe that runs several hundred feet to the Xtoloc temple.
House of the Metates and House of the Mestizas
South of the Ossario, at the boundary of the platform, there are two small buildings that archaeologists believe were residences for important personages.
The Casa Colorada Group
South of the Ossario Group is another small platform that has several structures that are among the oldest in the Chichen Itza archaeological zone.
Casa Colorada
The Casa Colorada, which is Spanish for Red House, is one of the best preserved buildings at Chichen Itza. It also has a Maya name, Chichanchob, which according to INAH may mean "small holes." In one chamber there are extensive carved hieroglyphs that mention rulers of Chichen Itza and possibly of the nearby city of Ek Balam, and contain a Maya date inscribed which correlates to 869 a.d.e., one of the oldest such dates found in all of Chichen Itza.
In 2009, INAH restored a small ball court that adjoined the back wall of the Casa Colorada.[22]
The House of the Deer
While the Casa Colorada is in a good state of preservation, other buildings in the group, with one exception, are decrepit mounds. One building is half standing, named Casa del Venado (House of the Deer). The origin of the name is unknown, as there are no representations of deer or other animals on the building.
Central Group
Las Monjas
One of the more notable structures at Chichen Itza is a complex of Terminal Classic buildings constructed in the Puuc architectural style. The Spanish nicknamed this complex Las Monjas ("The Nuns" or "The Nunnery") but was actually a governmental palace. Just to the east is a small temple (nicknamed La Iglesia, "The Church") decorated with elaborate masks of the rain god Chaac.
El Caracol
Main article: El Caracol, Chichen Itza
To the north of Las Monjas is a cockeyed, round building on a large square platform. It's nicknamed El Caracol ("the snail") because of the stone spiral staircase inside. The structure with its unusual placement on the platform and its round shape (the others are rectangular, in keeping with Maya practice), is theorized to have been a proto-observatory with doors and windows aligned to astronomical events, specifically around the path of Venus as it traverses the heavens.[23]
Akab Dzib
Main article: Akab Dzib
Located to the east of the Caracol, Akab Dzib means, in Maya, "Dark (in the "Mysterious" sense) Writing." An earlier name of the building, according to a translation of glyphs in the Casa Colorada, is Wa(k)wak Puh Ak Na, "the flat house with the excessive number of chambers,” and it was the home of the administrator of Chichén Itzá, kokom Yahawal Cho' K’ak’.[24] INAH completed a restoration of the building in 2007. It is relatively short, only 6 metres (20 ft) high, and is 50 metres (160 ft) in length and 15 metres (49 ft) wide. The long, western-facing facade has seven doorways. The eastern facade has only four doorways, broken by a large staircase that leads to the roof. This apparently was the front of the structure, and looks out over what is today a steep, but dry, cenote. The southern end of the building has one entrance. The door opens into a small chamber and on the opposite wall is another doorway, above which on the lintel are intricately carved glyphs—the “mysterious” or “obscure” writing that gives the building its name today. Under the lintel in the door jamb is another carved panel of a seated figure surrounded by more glyphs. Inside one of the chambers, near the ceiling, is a painted hand print.
Old Chichen
"Old Chichen" is the nickname for a group of structures to the south of the central site. It includes the Initial Series Group, the Phallic Temple, the Platform of the Great Turtle, the Temple of the Owls, and the Temple of the Monkeys.
Other structures
Chichen Itza also has a variety of other structures densely packed in the ceremonial center of about 5 square kilometres (1.9 sq mi) and several outlying subsidiary sites.
Caves of Balankanche

Composite Laser scan image of Chichen Itza's Cave of Balankanche, showing how the shape of its great limestone column is strongly evocative of the World Tree in Maya mythological belief systems.

Photo of the great limestone column in the Cave of Balankanche, surrounded by Tlaloc-themed incense burners
Approximately 4 km (2.5 mi) west of the Chichen Itza archaeological zone are a network of sacred caves known as Balankanche (Spanish: Gruta de Balankanche), Balamka'anche' in Modern Maya). In the caves, a large selection of ancient pottery and idols may be seen still in the positions where they were left in pre-Columbian times.
The location of the cave has been well known in modern times. Edward Thompson and Alfred Tozzer visited it in 1905. A.S. Pearse and a team of biologists explored the cave in 1932 and 1936. E. Wyllys Andrews IV also explored the cave in the 1930s. Edwin Shook and R.E. Smith explored the cave on behalf of the Carnegie Institution in 1954, and dug several trenches to recover potsherds and other artifacts. Shook determined that the cave had been inhabited over a long period, at least from the Preclassic to the post-conquest era.[25]
On 15 September 1959, José Humberto Gómez, a local guide, discovered a false wall in the cave. Behind it he found an extended network of caves with significant quantities of undisturbed archaeological remains, including pottery and stone-carved censers, stone implements and jewelry. INAH converted the cave into an underground museum, and the objects after being catalogued were returned to their original place so visitors can see them in situ.[26]
Archaeological investigations
Chichen Itza entered the popular imagination in 1843 with the book Incidents of Travel in Yucatan by John Lloyd Stephens (with illustrations by Frederick Catherwood). The book recounted Stephens’ visit to Yucatán and his tour of Maya cities, including Chichén Itzá. The book prompted other explorations of the city. In 1860, Desire Charnay surveyed Chichén Itzá and took numerous photographs that he published in Cités et ruines américaines (1863).
In 1875, Augustus Le Plongeon and his wife Alice Dixon Le Plongeon visited Chichén, and excavated a statue of a figure on its back, knees drawn up, upper torso raised on its elbows with a plate on its stomach. Augustus Le Plongeon called it “Chaacmol” (later renamed “Chac Mool,” which has been the term to describe all types of this statuary found in Mesoamerica). Teobert Maler and Alfred Maudslay explored Chichén in the 1880s and both spent several weeks at the site and took extensive photographs. Maudslay published the first long-form description of Chichen Itza in his book, Biologia Centrali-Americana.
In 1894 the United States Consul to Yucatán, Edward H. Thompson purchased the Hacienda Chichén, which included the ruins of Chichen Itza. For 30 years, Thompson explored the ancient city. His discoveries included the earliest dated carving upon a lintel in the Temple of the Initial Series and the excavation of several graves in the Ossario (High Priest’s Temple). Thompson is most famous for dredging the Cenote Sagrado (Sacred Cenote) from 1904 to 1910, where he recovered artifacts of gold, copper and carved jade, as well as the first-ever examples of what were believed to be pre-Columbian Maya cloth and wooden weapons. Thompson shipped the bulk of the artifacts to the Peabody Museum at Harvard University.
In 1913, archaeologist Sylvanus G. Morley persuaded the Carnegie Institution to fund an extensive archaeological project at Chichen Itza, which included mapping the ruins and restoring several of the monuments. The Mexican Revolution and the following government instability prevented the Carnegie from beginning work until 1924. Over the course of 10 years, the Carnegie researchers excavated and restored the Temple of Warriors and the Caracol. At the same time, the Mexican government excavated and restored El Castillo and the Great Ball Court.

Excavations next to El Castillo began in 2009
In 1926, the Mexican government charged Edward Thompson with theft, claiming he stole the artifacts from the Cenote Sagrado and smuggled them out of the country. The government seized the Hacienda Chichén. Thompson, who was in the United States at the time, never returned to Yucatán. He wrote about his research and investigations of the Maya culture in a book People of the Serpent published in 1932. He died in New Jersey in 1935. In 1944 the Mexican Supreme Court ruled that Thompson had broken no laws and returned Chichen Itza to his heirs. The Thompsons sold the hacienda to tourism pioneer Fernando Barbachano Peon, and his heirs own the property today.[27]
There have been two later expeditions to recover artifacts from the Cenote Sagrado, in 1961 and 1967. The first was sponsored by the National Geographic, and the second by private interests. Both projects were supervised by Mexico's National Institute of Anthropology and History (INAH). INAH has conducted an ongoing effort to excavate and restore other monuments in the archaeological zone, including the Ossario, Akab D’zib, and several buildings in Chichén Viejo (Old Chichen).
In 2009, to investigate construction that predated El Castillo, archaeologists began excavations adjacent to El Castillo.
Tourism

Video tour of the main sights of Chichen Itza
Tourism has been a factor at Chichen Itza for more than a century. John Lloyd Stephens, who popularized the Maya Yucatán in the public’s imagination with his book Incidents of Travel in Yucatan, inspired many to make a pilgrimage to Chichén Itzá. Even before the book was published, Benjamin Norman and Baron Emanuel von Friedrichsthal traveled to Chichen after meeting Stephens, and both published the results of what they found. Friedrichsthal was the first to photograph Chichen Itza, using the recently invented daguerreotype.[28]
After Edward Thompson in 1894 purchased the Hacienda Chichén, which included Chichen Itza, he received a constant stream of visitors. In 1910 he announced his intention to construct a hotel on his property, but abandoned those plans, probably because of the Mexican Revolution.
In the early 1920s, a group of Yucatecans, led by writer/photographer Francisco Gomez Rul, began working toward expanding tourism to Yucatán. They urged Governor Felipe Carrillo Puerto to build roads to the more famous monuments, including Chichen Itza. In 1923, Governor Carrillo Puerto officially opened the highway to Chichen Itza. Gomez Rul published one of the first guidebooks to Yucatán and the ruins.
Gomez Rul's son-in-law, Fernando Barbachano Peon (a grandnephew of former Yucatán Governor Miguel Barbachano), started Yucatán’s first official tourism business in the early 1920s. He began by meeting passengers that arrived by steamship to Progreso, the port north of Merida, and persuading them to spend a week in Yucatán, after which they would catch the next steamship to their next destination. In his first year Barbachano Peon reportedly was only able to convince seven passengers to leave the ship and join him on a tour. In the mid-1920s Barbachano Peon persuaded Edward Thompson to sell 5 acres (20,000 m2) next to Chichen for a hotel. In 1930, the Mayaland Hotel opened, just north of the Hacienda Chichén, which had been taken over by the Carnegie Institution.[29]
In 1944, Barbachano Peon purchased all of the Hacienda Chichén, including Chichen Itza, from the heirs of Edward Thompson.[27] Around that same time the Carnegie Institution completed its work at Chichen Itza and abandoned the Hacienda Chichén, which Barbachano turned into another seasonal hotel.
In 1972, Mexico enacted the Ley Federal Sobre Monumentos y Zonas Arqueológicas, Artísticas e Históricas (Federal Law over Monuments and Archeological, Artistic and Historic Sites) that put all the nation's pre-Columbian monuments, including those at Chichen Itza, under federal ownership.[30] There were now hundreds, if not thousands, of visitors every year to Chichen Itza, and more were expected with the development of the Cancún resort area to the east.

Serpent visible during the spring equinox
In the 1980s, Chichen Itza began to receive an influx of visitors on the day of the spring equinox. Today several thousand show up to see the light-and-shadow effect on the Temple of Kukulcan in which the feathered serpent god supposedly can be seen to crawl down the side of the pyramid.[31]
Chichen Itza, a UNESCO World Heritage Site, is the second-most visited of Mexico's archaeological sites.[32] The archaeological site draws many visitors from the popular tourist resort of Cancún, who make a day trip on tour buses. In 2007, Chichen Itza's El Castillo was named one of the New Seven Wonders of the World after a worldwide vote. Despite the fact that the vote was sponsored by a commercial enterprise, and that its methodology was criticized, the vote was embraced by government and tourism officials in Mexico who project that as a result of the publicity the number of tourists expected to visit Chichen will double by 2012. The ensuing publicity re-ignited debate in Mexico over the ownership of the site, with some representatives of the government such as the secretary of the parliamentary culture committee, Jose Alfonso Suarez del Real, calling for the land to be put in public ownership, by expropriation if necessary.
Over the past several years, INAH, which manages the site, has been closing monuments to public access. While visitors can walk around them, they can no longer climb them or go inside their chambers. The most recent was El Castillo, which was closed after a San Diego, Calif., woman fell to her death in 2006.

Columbus Monument, Barcelona

The Columbus Monument is a 60 m (197 ft) tall monument for Christopher Columbus at the lower end of La Rambla, Barcelona, Spain. It was constructed for the Exposición Universal de Barcelona and is located at the site where Columbus returned to Spain after his first voyage to the Americas.[1] The monument serves as a reminder that Barcelona is where Christopher Columbus reported to Queen Isabella and Ferdinand after Columbus' most famous trip

1-Pedestal

The column, hung with a device bearing an anchor stands on an octagonal pedestal from which four bronze winged Victories or Phemes take flight towards the four corners of the world, above paired griffins. Four buttresses against the octagonal pedestal bear portrait medallions that depict people related to Columbus:
Martín Alonzo Pinzón
Vicente Yáñez Pinzón
Ferdinand II of Aragon
Isabella I of Castile
Father Juan Pérez
Father Antonio de Marchena
Andrés de Cabrera, Marqués de Moya
Beatriz Fernández de Bobadilla, Marquessa de Moya
Seated against the buttresses are four figures that represent the four realms of Spain: the Principality of Catalonia, and the kingdoms of León, Aragon, and Castile.
Against the base of the pedestal between the buttresses are four additional statues:
Jaume Ferrer de Blanes, a Catalan cartographer
Luis de Santángel Bessant
Captain Pedro Bertran i de Margarit, next to a kneeling Indian
Father Bernat de Boïl, preaching to a kneeling Indian
An elevator inside the column takes visitors up to a viewing platform at the top (just below the socle

2-Plinth

The canted octagonal plinth is inset withs eight bronze bas-relief panels that depict important scenes in Columbus's first voyage to the Americas:
Columbus and his son asking for food at the La Rabida Monastery
Columbus explaining his plans to the monks of the La Rabida Monastery
Columbus meeting King Ferdinand and Queen Isabella in Córdoba
Columbus appearing at the council gathering in the Monastery of San Esteban in Salamanca
Columbus meeting the King and Queen in Santa Fe
Columbus leaving port from Palos de la Frontera on 3 August 1492
Columbus's arrival in the New World
Columbus greeting the King and Queen after his return in Barcelona
Alternating with the bas-reliefs are eight coats-of-arms representing locations that Columbus visited:
Huelva
Córdoba
Salamanca
Santa Fe
Palos de la Frontera
Puerto Rico
Cuba
Barcelona

4-Base

The base of the monument is a 20 m (66 ft) wide circle, with four staircases. Each staircase is flanked by two lions.

Construction

The idea of a monument to Columbus came in 1856 from Antoni Fages i Ferrer, who proposed that it be constructed entirely by Catalans, but he could not get anywhere with his plan for sixteen years. Finally in 1872 he gained the support of the mayor of the city, Francesc Rius i Taulet, and in 1881 the city passed a resolution to build the monument. A contest was held exclusively for Spanish artists to submit their designs with the winner being Gaietà Buigas i Monravà, a Catalan. Most of the money was privately raised, with only 12% being financed with public funds. All of the funding came from Spanish sources and the entire construction (labor and materials) was done by Catalans. Construction began in 1882 and was completed in 1888 in time for the Exposición Universal de Barcelona

Berlin Victory Column

The Victory Column is a famous monument in Berlin, Germany. Designed by Heinrich Strack after 1864 to commemorate the Prussian victory in the Danish-Prussian War, by the time it was inaugurated on 2 September 1873, Prussia had also defeated Austria in the Austro-Prussian War (1866) and France in the Franco-Prussian War (1870–71), giving the statue a new purpose. Different from the original plans, these later victories in the so-called unification wars inspired the addition of the bronze sculpture of Victoria, 8.3 meters high and weighing 35 tonnes, designed by Friedrich Drake. Berliners, with their fondness for giving nicknames to famous buildings, call the statue Goldelse, meaning something like "Golden Lizzy".The Victory Column is a major tourist attraction to the city of Berlin and opens daily: 9:30 a.m. – 6:30 p.m. (April – October), and 9:30 a.m. – 5:30 p.m. (November – March).

1-Design and dimensions

Built on a base of polished red granite, the column sits on a hall of pillars with a glass mosaic designed by Anton von Werner.
The column itself consists of four solid blocks of sandstone, three of which are decorated by cannon barrels captured from the enemies of the aforementioned three wars. The fourth ring is decorated with golden garlands and was added in 1938–39 as the whole momument has been relocated. The fourth ring in the column has a meaning, similarly to the original 3 rings. The fourth ring has been added by Hitler after the Battle of France ended.
The relief decoration had to be removed at the request of the French forces in 1945, probably to prevent Germans from being reminded of former victories, especially the defeat of the French in 1871. It was restored for the 750th anniversary of Berlin in 1987 by the French president at that time, François Mitterrand. However, several sections remain in France.

3-Designers and architects

Werner designed the original hall of pillars with a glass mosaic.
The foundation is decorated with four bronze reliefs showing the three wars and the victorious marching of the troops into Berlin. They were created by
Moritz Schulz (1825–1904)
Karl Keil (1838–89)
Alexander Calandrelli (1834–1903)
and Albert Wolff (1814–92)

4-Location and relocations

The Victory Column originally stood in Königsplatz (now Platz der Republik), at the end of the Siegesallee (Victory Avenue). As part of the preparation of the monumental plans to redesign Berlin into Welthauptstadt Germania, in 1939, the Nazis relocated the column to its present site at the Großer Stern (Great Star), a large intersection on the city axis that leads from the former Berliner Stadtschloss (Berlin City Palace) through the Brandenburg Gate to the western parts of the city. At the same time, the column was augmented by another 7.5 meters, giving it its present height of 66.89 meters. The monument survived World War II without much damage. The relocation of the monument probably saved it from destruction, as its old site in front of the Reichstag was destroyed. Without a British-American veto, the French would have dynamited the monument after the war it having been located at exactly 1500 meters, length of the Roman mile, from the proposed new north-south triumphal way of the Nazis in line with the Imperial Victory Avenue in the Tiergarten destroyed by American air raids in 1945.
Surrounded by a heavily trafficked street circle, the column is accessible to pedestrians through four tunnels, built in 1941 to plans by Albert Speer who likewise increased the width of the road between it and the Brandenburg Gate and designed the new Germania which was scheduled for constructed after the victory obtained in the war. Via a steep spiral staircase of 285 steps, the physically fit may, for a small fee, climb almost to the top of the column, to just under the statue and take-in the spectacular views over the Tiergarten including the Soviet War Memorial, 1946, in line with the Nazi proposed north-south triumphal way by Speer and Hitler.

5- Cultural references

The column is featured in Wim Wenders' film Wings of Desire (1987) as being a place where angels congregate.[2] In the 1989 film Das Spinnennetz (directed by Bernhard Wicki, based on the fragmentary novel of the same name by Joseph Roth), Ulrich Mühe as protagonist Leutnant Lohse partakes in a 1920s plot to bomb the Victory Column, but being a right-wing spy among the communist plotters, he foils their plans.
The golden statue atop the column was featured in the music video to U2's 1993 "Stay (Faraway, So Close!)" and inspired Paul van Dyk's 1998 trance music hit, "For an Angel"; the column was also featured in his music video during the Love Parade in 1998. "El Ángel" in Mexico City bears a more than passing resemblance to the Berlin victory column, while both echo the earlier examples of the victory column crowned by an angel, notably the Alexander Column in Saint Petersburg. In the 18th episode of "Ghost in the Shell: Stand Alone Complex 2nd Gig", Batou rests on the monuments shoulder, and a young girl refers to it as "Angel." The Victory Column is meant to represents the girl's absent father, the episode's main criminal and multinational terrorist, Angel's Feathers.
The Victory Column served as the location for Barack Obama's speech in Berlin during his visit to Germany on July 24, 2008. The choice of site was somewhat controversial in Germany as it symbolises German war victories in the past and is still seen as a Nazi symbol.Obama talked about cooperation between the United States and Europe in the speech and ended his speech with these lines: "With an eye toward the future, with resolve in our hearts, let us remember this history, and answer our destiny, and remake the world once again."
The column also lends its name to a Berlin magazine for the LGBT community

Sightseeing in London - Monuments

Sightseeing in London - Monuments:
On a first trip to London the major sights are a must. The Changing of the Guard at Buckingham Palace and on Horse Guards Parade are free displays of colourful Royal pageantry. In August and September Buckingham Palace itself is open to visitors. Take a look at the Houses of Parliament and the famous clocktower that houses 'Big Ben'. Other unmissable sights include the Tower of London with its colourful 'Beefeaters' (yeoman warders), Tower Bridge and St Paul's Cathedral, Sir Christopher Wren's elegantly-domed masterpiece. One of the best ways to see London's famous landmarks is to take a guided bus tour, or one of the many other tours including boat and horse-drawn omnibuses.
Big Ben

Big Ben is not open to the public. Possibly the most famous clock face and chimes in the world, Big Ben is actually the name of the biggest bell (13.5 tons) inside The Clock Tower (320ft) which forms part of the Houses of Parliament. Built in 1858/9 the bell was named after one Sir Benjamin Hall and when it was cast it was Britain’s heaviest bell. The clock’s four dials each have a diameter of 23ft, the minute hands are 14ft long and the numerals on each face are nearly 2ft high. The placing of old pennies in the mechanism controls the accuracy of the clock movement, yet it is incredibly accurate.The tower which houses Big Ben has been called by many names, one of the most popular is St Stephen’s Tower. The official line, from the Head of Public Information at the Palace is that the Clock Tower is simply called The Clock Tower. However, the name Big Ben has now passed into every day use and the locals call it Big Ben so we’ll go along with that too. Nearest Tube: Westminster

Buckingham Palace

Buckingham Palace has been the official London residence of Britain's sovereigns since 1837 and evolved from a town house that was owned, from the beginning of the eighteenth century, by the Dukes of Buckingham. Buckingham Palace is the London home of The Queen and Prince Philip. Queen Victoria was the first monarch to take up residence here after the architect John Nash transformed it from Buckingham House into a palace. In 1845 Queen Victoria asked for the Palace to be extended to make more room for her growing family of four children. As part of the alterations, Marble Arch, which was originally the entrance to the palace, was moved to a new position at the corner of Hyde Park.The Palace is also the administrative headquarters of the monarchy. The Queen receives visiting heads of state at the palace and it is here that the Queen holds garden parties and bestows knighthoods and other honours. Foot Guards from the Household Division, in their distinctive red tunics and black bearskins, can be seen on guard duty outside the palace daily. The Changing The Guard ceremony now takes place only every other day in the winter but it is still daily in the summer months.After a serious fire damaged Windsor Castle in 1993 the Queen allowed the Palace State rooms to be opened to the public for the first time, to help pay the Windsor Castle repair bill. When not away, The Queen and Prince Philip spend most weekends at Windsor Castle, where they enjoy horse riding.

House of Parliament - Palace of Westminster

Now more commonly known as the Houses of Parliament, the Palace of Westminster began life as a royal residence in 1042 under Edward the Confessor. The major structure to survive various fires, Westminster Hall, was built between 1087-1100 and is one of the largest medieval halls in Europe with an unsupported hammerbeam roof. During the fourteenth-century the hall housed shops and stalls selling wigs, pens and other legal equipment and the courts of law met there. Thomas More, Charles I and those accused of trying to blow up parliament (1605) were all tried in Westminster Hall.Following a fire in 1512, Henry VIII decided to abandon the palace and from this moment onwards it became home to the two seats of parliament - the Commons and the Lords. However, it was to suffer from another disastrous fire in 1834 and everything was lost except Westminster Hall and the Jewel Tower. A competition was launched to redevelop the whole site. Sir Charles Barry was responsible for the mock gothic building that has become such a familiar landmark today; including the Clock Tower that houses Big Ben, the bell that chimes on the hour, and is home to the largest clock face in the country. Members of the public can watch debates when parliament is in session. Tickets can be obtained from a member of parliament (British citizen) or from your consulate or High Commission

Tower of London

At The Tower of London, guarded by the celebrated Beefeaters, visitors can see Traitors' Gate, the priceless Crown Jewels and the famous ravens. Over the centuries, this amazing building has been fortress, prison, palace - and even a zoo. The carefully-restored medieval part of the Tower is brought alive by costumed guides. There is also exhibitions of armour and swords and you can see the spot where Henry VIII's Queen, Anne Boleyn, was beheaded